My background in dance has always fed into my acting mentality and includes a variety of styles: contemporary, folk, tango, ballet, etc. I’ve always experienced acting as an innately physical art where nothing is neutral; every gesture, shift in weight, and physical choice builds the story. When I moved to London I developed a passion for physical theatre, which takes that to an extreme, it heightens the body as a primary storytelling tool, where precision, clarity, and intention become essential. 

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I completed a postgraduate degree in Teaching and Coaching Movement for Actors, which deepened my understanding of how movement can be trained, guided and led to my work as a movement director. While I was studying I did several residencies with dance and physical theatre companies, where I developed work across devising, mime, physical storytelling on film, and different movement techniques. These experiences expanded my physical vocabulary and gave me practical tools across both structured and improvisational processes.

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Across all of my work, as a performer and creative on stage and screen, I’m interested in how the body carries meaning. Where movement is not separate from acting but an essential part of it.